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CanFilm Five: Programmer and Filmmaker Dion Conflict

“CanFilm Five” is the Canuxploitation blog’s ongoing guest column, which brings together prominent filmmakers, bloggers, critics and programmers to discuss their most loved offbeat Canadian films.

Dion Conflict is Toronto-based film historian/film maker/programmer. From its beginning showing film prints in the back room of Toronto Queen Street haunt The Rivoli , his CONFLICT ARCHIVES celebrates its 20th year of putting neglected celluloid back on the screen with eclectic programs that have entertained audiences not only in Canada, but also the United States, Estonia, and Finland (where one of his screenings clobbered Tarantino’s GRINDHOUSE). Dion is the man behind many film screening series including Hunka Junk, Midweek Mondo Madness, Trailer Trash and, most recently, SHOCK AND AWE, the all-night Grindhouse film fest showcasing 16mm and 35mm film prints unseen on any big screen in Canada in decades. The latest SHOCK AND AWE marathon screens at Toronto’s Revue Cinema on June 23, 2012 and will include SLEEPAWAY CAMP, RAPPIN’, HORROR HOSPITAL and more (see Dion’s blog for more details and ticket info).

Dion is also the founder of the world’s first 24 hour online streaming video superstation (Paxels) which not only included 50% original content and ran endless short films, music videos, interviews, films, seminars and sports. Currently, Dion is developing his feature film script (a comedy) and speaking with other production companies and producers. He notes, “If I could have ideal casting for the project, it would have Boris Kodjoe, The Situation, Ron Jeremy, Tyler Medeiros, Canadian Ben Johnson, and Men Without Hats on the soundtrack.”

 Dion sez:

As a kid, and still today, one of my favorite cartoons is DAVY AND GOLIATH, the claymation religious cartoon with young Davey (wearing his checkerboard shirt which looks like it was made from a tablecloth at a Big Boy Restaurant) and his dog Goliath. They usually would get into some adventure where something goes wrong. Goliath would kinda egg the kid on, and his sister Sally would snitch. Davy’s Dad would go “Did you learn something Davy?” Davy would reply and God would also be thrown in the equation.

You don’t need to watch DAVY AND GOLIATH to learn some valuable life lessons, or listen to a Play-Doh dog egg you on to get in trouble. All of the most important lessons I have learned in life have been from Canadian cinema. Here’s my top five most valuable life lessons from Canadian film.

LE PARTY (1991)
When I went to Montreal to screen “Dion Conflict: Trailer Trash”, I told the audience that the best Canadian film ever was from Quebec was LE PARTY, a statement that made the audience both gasp and laugh at the same time.  The late Pierre Faladeau made this trashy little opus about a travelling troupe of “entertainers” doing their annual show at a Quebec prison–including a drag queen singing about his/her mother, a magician (who complained about working for the CBC and a fibreglass factory), a Francophone country singer belting out a song about penetration, a comedian named Leo with terrible jokes, and not one, but two strippers (and one fake leopard skin/rug).  While the show goes on, there’s plenty of copulation, contraband drug use, and crying.  The band “Rapid Fire”, looking like a Trooper cover band, plays on while the prison officials look away.  LE PARTY is so friggin awesome, I could talk about it endlessly, but I would rather you see it and agree with me that it’s the best Canadian film ever. 

LIFE LESSON LEARNED: If you have to get thrown in the clink in Canada, INSIST it is in Quebec.



 
ODDBALLS (1984)
It ran endlessly on First Choice Pay TV (before the crappy merger with Superchannel, and not the new one) and I would watch it every time.  Chris (Wally Wodchis) ends up getting shipped off to “Camp Bottom Out” where owner Hardy Bassett (a fairly sauced Foster Brooks) considers selling until his grand-daughter convinces him to give the summer camp a chance.  Can Mr. Skinner and his goofy son Chadwick sabotage the camp’s success in order to turn the camp into a shopping mall?  ODDBALLS is filled with tons of gags (complete with goofy sound effects) as Chris and the boys are endlessly looking to get laid.  Funny because most of them look like they are not old enough to have a wet dream (and it’s an all-boys camp).  You find yourself groaning so much at the gags, that it ends up being somewhat funny. ODDBALLS might be the Maury Povich BABY DADDY offspring of MEATBALLS.

LIFE LESSON LEARNED: Not everyone in Southern and Central Ontario will sell their land for shopping malls or condos.

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