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Psychotronic NFB: GENTLEMAN JEKYLL AND DRIVER HYDE (1950)

The National Film Board of Canada may be the nation’s venerable award-winning public film producer and distributor, but that doesn’t mean there aren’t weird gems lurking on the fringes of its impressive back catalogue. “Psychotronic NFB,” attempts to filter through the earnest docs on social problems, overserious animation and World War II newsreels to uncover the NFB’s weirdest works.

What was Canada’s first monster movie–the 1967 British co-production THE VULTURE? 1971’s DR. FRANKENSTEIN ON CAMPUS? True, those may have been the first feature-length creature features to debut in the Great White North, but Canada’s history with horror goes back even a little further–in fact, it’s tangled up in our roots in documentary filmmaking. Even before movie monster mania swept North America in the 1950s, spurned on by the repackaging of classic horror films for TV broadcast and the introduction of FAMOUS MONSTERS magazine, the NFB produced this bizarre eight-minute short that plays off one of the biggest horror hits of the previous decade, even directly referring to Spencer Tracy’s 1941 turn as the mad scientist and his uncouth alter ego.

GENTLEMAN JEKYLL AND DRIVER HYDE, released in 1950, has long been one of my favourite NFB films, adding horror touches to an otherwise fairly typical mental hygiene film about common courtesy on the road, all narrated by some wisecracking truck drivers.

Have you ever had road rage? Like, really, really bad? Even by today’s standards this is unconscionably terrible and inconsiderate driving–cutting people off, not stopping for kids playing in the street, insulting pedestrians, screaming at other drivers, racing through lights and weaving into the oncoming traffic. The portrayal of bad driving habits is so deliriously over-the-top that this film almost becomes a comedy of extreme road safety errors.

Once the trucker finishes condemning poor Jekyll, he then reveals the source of his bitterness–he and his fellow professional drivers are blamed by the public for accidents, even though it’s the everyday amateurs that often cause them. Apparently, all those terrible fatal crashes are just business as usual–just leave him out of it, brother! At this point even the other driver gets tired of his employer’s holier-than-thou attitude, but gets slapped Three Stooges-style for talking back. Perhaps a follow-up film on bad boss behaviour is needed–SAFETY-MINDED JEKYLL AND ABUSIVE SUPERVISOR HYDE?

Conceptually, this NFB short is still a lot of fun, even if the monster itself is an obvious low-budget creation–whereas nine years earlier Tracy boldly played Hyde without make-up, simply contorting his face into new shapes, some rudimentary effects work was clearly required here. The quality make-up job? Well, as you can see it’s not exactly up to the Jack Pierce standard. Hyde looks more like a Neanderthal devil than anything–horns protruding from his head, a little spirit gum-stuck hair and plastic fangs. The transition from mild mannered family man to sociopathic wheelman isn’t terribly convincing either, done with a simple edit and screen wipe. But  it’s probably too much to ask for a little NFB short to put some effort and care into its monster making, especially since no Canadian craftsmen were dedicated to that particular niche art at the time. It’s not too surprising that their Hyde is not quite up to par. But at least he’s here, captured on celluloid forever–the earliest example of the horror genre’s influence on Canadian filmmaking.

Bizarrest moment: Apparently, the opposite of Driver Hyde is some sort of drag queen-like courtesy angel.

Lesson learned: Don’t turn into a dime store monster and drive.

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Psychotronic NFB: BABY BLUES (1990)

The National Film Board of Canada may be the nation’s venerable award-winning public film producer and distributor, but that doesn’t mean there aren’t weird gems lurking on the fringes of its impressive back catalogue.

As the NFB makes its films available for online viewing, it has so far passed over some of its strangest and coolest  titles such as HOT WHEELS, BEYOND KICKS  and GENTLEMAN JEKYLL AND DRIVER HYDE,  but there are occasional entries available for instant viewing that are worth checking out. This new column, “Psychotronic NFB,” attempts to filter through the earnest docs on social problems,  overserious animation and World War II newsreels to uncover the NFB’s weirdest works.

For our first entry, we’re looking at the NFB’s 1990 teen sexuality “conversation starter,”  BABY BLUES. Nobody does teen melodrama better than Canadians, and director Annie O’Donoghue pretends DEGRASSI JUNIOR HIGH didn’t already tackle this subject ad nauseum with her 24-minute ode to Jason and Kristen, two teens that like to get their freak on before heading off to cool group dates at the bowling alley. This one’s got it all–a soundtrack of hot sax licks, sniggering 25-year-old “teens” inflating condoms, field hockey action, infomercial production values and  badly dated fashions. Underneath it all, though, this is the same old “mental hygiene” style of educational short as seen extensively in the early 1950s.

Bizarrest moment: There’s a few (where does the jean-jacket wearing “voice of reason” disappear to?) but intercutting Kristen mixing the chemicals to take a pregnancy test with Jason making tea almost made me spit my cup of chamomile all over the screen.

Lesson learned: Being a pregnant teen is challenging enough, but then you also might get the “blues”! Guess they all should of paid attention in health sciences class…