CanFilm Five: Producer and Writer Greg Klymkiw

“CanFilm Five” is the Canuxploitation blog’s ongoing guest column, which brings together prominent filmmakers, bloggers, critics and programmers to discuss their most loved offbeat Canadian films.

Greg Klymkiw is an Ontario-based writer, producer and journalist. He programmed a Winnipeg rep cinema specializing in cult movies and served as a film buyer for small-town movie theatres (including tons of drive-ins). As the Director of Marketing for the Winnipeg Film Group, he developed the brand of the Winnipeg style and masterminded the marketing that turned Guy Maddin’s TALES FROM THE GIMLI HOSPITAL into an international cult sensation. He produced John Paizs’s early shorts, Maddin’s first three features (GIMLI, ARCHANGEL and CAREFUL), the Berlinale Best Feature Film Award Winner THE LAST SUPPER and, among others, the notorious BUBBLES GALORE. For 13 years he was the Producer-in-Residence and Senior Creative Consultant at Norman Jewison’s Canadian Film Centre. He is currently producing, screenwriting, consulting and script editing. As a film journalist, his writing appears at: Klymkiw Film Corner, Electric Sheep, Canadian Film Corner, Daily Film Dose and the legendary Joe Kane’s “Phantom of the Movies Videoscope”. Greg sez:

I’ve always loved genre pictures and in one way or another they have all inspired my life and career in terms of trying to make movies that defied expectations (while also fulfilling them). What’s kind of cool, is that I could probably name about thirty of so Canadian films that delivered the goods in this respect, but for the sake of brevity, here are my Top Five Most Inspirational Canadian Genre Films (in ALPHABETICAL order):

Yeah, yeah, I know, full disclosure and all that; John Paizs is one of my best friends and colleagues. However, I’m also a worshipper and student of the Paizs Method. I have seen CRIME WAVE so many times that I stopped counting after 50 viewings (not including just watching and re-watching my favourite scenes). The movie never fails to delight and inspire me. The combination of sun-dappled and lurid colour, the clear joy and love for B-movies, the brilliant use of narration, humour that is always absurd, perverse and just plain laugh-out-loud funny are just a few things that place this movie in the top five of this list, but frankly, also in the Top Five of all Canuckian movies. Importantly, Paizs’s humour is reverential and NEVER tongue-in-cheek. I learned more about the art of actual filmmaking from Paizs and CRIME WAVE is a huge part of that.


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