There’s always been a muscular, sexy beast of a film obscured within the spotty DVD releases of John Fawcett’s seminal Canadian werewolf classic–it just took Scream Factory to finally unleash the creature within. Featuring a brilliant Blu-ray transfer and a host of relevant features, this fun package from the boutique home video label for horror fanatics is an easy recommendation for fans of the film or Canadian genre movies in general (grab a copy here!).
While perhaps not the finest Canadian horror film ever made, GINGER SNAPS certainly ranks up with the most important, a bona fide cult hit that single-handedly resurrected the languishing Canadian horror tradition. Scary films made by Canadians was a trend that largely died out by 1989 once the tax shelters collapsed, with mostly sequels and franchise films appearing in the following decade until GINGER SNAPS changed all that. Well reviewed on release and a genuine commercial hit, the film was followed not only by a pair of sequels, but bandwagon jumpers like DECOYS, FIDO and more. Suddenly, Canadian horror cinema was commercially viable again, and it’s hard to imagine that our current crop of breakthrough Canadian genre filmmakers be able to make movies today on the same scale today without it’s important influence.
You know the story. Morbid and inseparable sisters Ginger (Katharine Isabelle) and Brigitte (Emily Perkins) find themselves drifting apart as Ginger starts to enter puberty. Their relationship is strained further when Ginger is suddenly attacked by a strange creature suspected of killing local pets around their suburban home. On recovery, Brigitte is shocked to find Ginger acting unlike her usual self and even experimenting with drugs and sex. Is it the result of the attack, pubescent hormones, or it could be related to the strange, coarse hair growing out of the cuts on her shoulder? When she realizes what her sister has become, Brigitte takes it on herself to find a possible cure and gain back the sister she loves so much.
Scream Factory’s new Blu-ray/DVD combo release of the film finally restores the film to its former on screen glory. It’s often a challenge making low budget Canadian films of the 1990s and 2000s look like more than just a TV movie, but the pristine new transfer nicely showcases the film’s sometimes eerie lighting and moody shots to give it some additional life. Not surprisingly, sound quality also appears much improved over the previous 2003 release.
The disc also shines in its bonus material. The highlight is the 60-minute retrospective doc, “Ginger Snaps: Blood, Teeth and Fur,” which nicely traces the history of the project from concept and casting through to distribution and the film’s eventual rediscovery on home video and HBO. Though Katharine Isabelle is conspicuously absent, Emily Perkins helps fill in the blanks along with Fawcett, Walton, producer Steve Hoban and FX guy Paul Jones, among others. It’s a fairly comprehensive piece that really explains how the film happened in horror film-averse Canada at the time and how American approval helped launch the film’s popular success, even though the interviewees’ comments occasionally contradict each other.
Those a little wary of Fawcett and Walton’s claims of the film’s originality will definitely want to check out “Growing Pains: Puberty in Horror Films,” a 30-minute panel discussion by horror journalists and filmmakers Axelle Carolyn, Kristy Jett, Heidi Honeycutt and Rebekah McKendry. This very nice context piece, chaired by Jett, fills in a missing blank from the other doc by helping to situate the film within the history of female-centred horror cinema. A handful of works such as CARRIE, TEETH and JENNIFER’S BODY are discussed before the conversation more or less gives way to a welcome discussion of how female sexuality is generally presented in horror films.
Rounding out the disc’s fully packed lineup of extras are almost 30 minutes of (usually thankfully) deleted scenes, a vintage promotional featurette, some mildly interesting auditions, set and FX footage, trailers, and separate audio commentaries with director John Fawcett (more technical) and screenwriter Karen Walton (more thematic) ported over from the previous release.
Shout Factory has been treating Canadian cult film fans to lovingly produced discs on locally-shot films like DEADLY EYES, SCANNERS II & III, VISITING HOURS and TERROR TRAIN, and this looks to be another essential addition that really looks at the GINGER SNAPS phenomenon and helps show it’s true place in the history of horror cinema, and werewolf films in particular. Now almost 15 years old, it’s certainly the perfect time for GINGER SNAPS to outgrow it’s awkward teen phase and become a self-confident Canadian horror landmark. And Scream Factory has certainly helped it do just that.
It’s been a slow year but finally another fine slate of offbeat Canadian films is hitting DVDs this season. Remember that clicking through these links helps support our efforts is rediscovering classic Canadian cult film, and that the Amazon links on the sidebar are always updated with the latest new release announcements for your viewing pleasure.
Louis Del Grande’s exploding head in HD? Please.
GINGER SNAPS DVD/Blu-Ray Combo (Shout Factory)
Release Date: July 22, 2014
Read Our Review
The classic werewolf film that revitalized Canadian horror for the 21st century has never gotten a fair shake on home video–until now!
Rats (well, costumed dogs) ravage the streets of Toronto in this totally entertaining B-monster classic from Enter the Dragon director Richard Clouse! A co-production with Golden Harvest that won’t disappoint.
Another one MIA on DVD, the creepy Canadian tax-shelter slasher CURTAINS finally hits the shelves in a release that promises to delve into its troubled production history.
PORKY’S R2 Blu-Ray (Arrow)
Release Date: May 26, 2014
This is already out in R1 from Fox, but this Steelbook edition from the UK-based film fans at Arrow is a thing of beauty.
We’re pleased to present another look back at Canadian movies on TV by our friends at Retrontario.
Canada’s canary into the Pay TV coal mine was a riveting pop culture jolt when it arrived in early 1983. Competing services FIRST CHOICE and SUPERCHANNEL were forced to combine resources just over one year later as FIRST CHOICE*SUPERCHANNEL, now fondly remembered as the era’s primary delivery system for big ticket Hollywood titles, rare-as-hen’s teeth Can-con, and boobies. Here’s a taste of some of the more exciting moments this $15 per month service offered to content starved ‘80s eyeballs.
In its heyday FIRST CHOICE*SUPERCHANNEL broadcast a raft of cool Canadian flicks that have shamefully passed into the ether over the last 30 years. Even the gluttonous content orgy in which we now exist thanks to the Internet cannot abide, and many of these films have simply vanished. Had they not been fully or in part recorded on VHS tapes back in the day, there would be no trace of them at all beyond error-ridden, tumbleweed infested IMDB listings.
One such title is surely LISTEN TO THE CITY (1984), a bizarre Toronto-based soft sci-fi/musical scored by Gordon Deppe of The Spoons (the amazing LP soundtrack also featured the debut appearance on an album of the band’s massive singles “Romantic Traffic” and “Tell No Lies”). To date, the film remains the sole fiction film by local documentary maven Ron Mann, his legacy buttressed by the likes of GRASS, TWIST and COMIC BOOK CONFIDENTIAL rather than this oddball curio. The film starred HALLOWEEN’s P.J Soles as a crusading reporter, but also features “smiling” Jack Layton in a cameo as a hospital patient (you can see him in the above clip). In spite of continued interest in The Spoons, this title seems likely to remain exiled in home video limbo.
Canuxploitation favourite Barry J. Gillis dropped us a line recently to let us know that his most recent exercise in brutality, THE KILLING GAMES, will be released on April 22, 2014! Though Gillis is busy in pre-production on his upcoming film, HOUSE OF MANY SORROWS (which will film this summer), he was excited to let us know that fans across the world will be able to grab THE KILLING GAMES, on Apple iTunes, Google Play and other outlets next week. Featuring a character named Dirty Jesus, organized crime, rape, murder and infedelity, we called the film “a condemnation of the worst of human impulse and a tribute to its undefeatable spirit” and “as full of contradictions and wild inspiration as the man who made it.” THE KILLING GAMES can be pre-ordered right now on Apple iTunes.
Streaming is great, but wanna grab yourself a copy of Barry’s latest–for free? Describe your favourite scene from THINGS or WICKED WORLD and send it, along with your mailing address to: firstname.lastname@example.org. First three responses get a Blu-ray copy of THE KILLING GAMES. It’s just that easy. Update: All gone, thanks for the entries! Congrats to David, Mark and Trevor!
Check out our full review and the trailer:
Fine print: This giveaway is open to residents of Canada and the United States only. The decision of the judge is final. By sending in your description you give permission for us to post it on this blog if we choose. Any collected personal information will only be used to reward the winner — no third parties involved.
We’re pleased to present another look back at Canadian movies on TV by our friends at Retrontario.
Canada’s canary into the Pay TV coal mine was a riveting pop culture jolt when it arrived in early 1983. Competing services FIRST CHOICE and SUPERCHANNEL were forced to combine resources just over one year later as FIRST CHOICE*SUPERCHANNEL , now fondly remembered as the era’s primary delivery system for big ticket Hollywood titles, rare-as-hen’s teeth Can-con, and boobies. Here’s a taste of some of the more exciting moments this $15 per month service offered to content starved ‘80s eyeballs.
By March 1983, Pay TV in Canada was barely one month old, but from a layman’s perspective it was the competitive service FIRST CHOICE’s game to lose. With a decent stable of modern Hollywood hits, sport and music events, and a salacious late night PLAYBOY block, FIRST CHOICE was clearly the most attractive package, although it was slightly more expensive than the more family friendly SUPERCHANNEL service (forever and erroneously remembered as the “poor man’s FIRST CHOICE”).
In addition to big guns like SUPERMAN II, CANNONBALL RUN and AN AMERICAN WEREWOLF IN LONDON, the March 1983 line-up on FIRST CHOICE included a healthy slate of prime home grown Canuxploitation, including a pair of films usually identified as our country’s first forays into the genre of horror. Bless.
1971’s THE REINCARNATE resembles a chamber drama more than what we’ve since come to associate with a horror movie, but it remains somewhat of a curate’s egg. Starring our own mad media prophet Dr. Brian Oblivion himself (the gravelly voiced Jack Creley), THE REINCARNATE concerns itself with a wealthy lawyer who discovers he is dying and must find a replacement for his re-incarnated memories during a ceremony that must conclude with virgin sacrifice (hubba hubba). Aside from being considered the first major Canadian “horror” picture, this shot-in-Toronto cheapie most memorably features a scene in which THE FOREST RANGERS alum and POLKA DOT DOOR host Rex Hagon is mauled to death by a cat after fondling a stand-in for Trudy Young’s breasts.