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DVD Review: GINGER SNAPS (Scream Factory)

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There’s always been a muscular, sexy beast of a film obscured within the spotty DVD releases of John Fawcett’s seminal Canadian werewolf classic–it just took Scream Factory to finally unleash the creature within. Featuring a brilliant Blu-ray transfer and a host of relevant features, this fun package from the boutique home video label for horror fanatics is an easy recommendation for fans of the film or Canadian genre movies in general (grab a copy here!).

While perhaps not the finest Canadian horror film ever made, GINGER SNAPS certainly ranks up with the most important, a bona fide cult hit that single-handedly resurrected the languishing Canadian horror tradition. Scary films made by Canadians was a trend that largely died out by 1989 once the tax shelters collapsed, with mostly sequels and franchise films appearing in the following decade until GINGER SNAPS changed all that. Well reviewed on release and a genuine commercial hit, the film was followed not only by a pair of sequels, but bandwagon jumpers like DECOYS, FIDO and more. Suddenly, Canadian horror cinema was commercially viable again, and it’s hard to imagine that our current crop of breakthrough Canadian genre filmmakers be able to make movies today on the same scale today without it’s important influence.

You know the story. Morbid and inseparable sisters Ginger (Katharine Isabelle) and Brigitte (Emily Perkins) find themselves drifting apart as Ginger starts to enter puberty. Their relationship is strained further when Ginger is suddenly attacked by a strange creature suspected of killing local pets around their suburban home. On recovery, Brigitte is shocked to find Ginger acting unlike her usual self and even experimenting with drugs and sex. Is it the result of the attack, pubescent hormones, or it could be related to the strange, coarse hair growing out of the cuts on her shoulder? When she realizes what her sister has become, Brigitte takes it on herself to find a possible cure and gain back the sister she loves so much.

Scream Factory’s new Blu-ray/DVD combo release of the film finally restores the film to its former on screen glory. It’s often a challenge making low budget Canadian films of the 1990s and 2000s look like more than just a TV movie, but the pristine new transfer nicely showcases the film’s sometimes eerie lighting and moody shots to give it some additional life. Not surprisingly, sound quality also appears much improved over the previous 2003 release.

The disc also shines in its bonus material. The highlight is the 60-minute retrospective doc, “Ginger Snaps: Blood, Teeth and Fur,” which nicely traces the history of the project from concept and casting through to distribution and the film’s eventual rediscovery on home video and HBO. Though Katharine Isabelle is conspicuously absent, Emily Perkins helps fill in the blanks along with Fawcett, Walton, producer Steve Hoban and FX guy Paul Jones, among others. It’s a fairly comprehensive piece that really explains how the film happened in horror film-averse Canada at the time and how American approval helped launch the film’s popular success, even though the interviewees’ comments occasionally contradict each other.

Those a little wary of Fawcett and Walton’s claims of the film’s originality will definitely want to check out “Growing Pains: Puberty in Horror Films,” a 30-minute panel discussion by horror journalists and filmmakers Axelle Carolyn, Kristy Jett, Heidi Honeycutt and Rebekah McKendry. This very nice context piece, chaired by Jett, fills in a missing blank from the other doc by helping to situate the film within the history of female-centred horror cinema. A handful of works such as CARRIE, TEETH and JENNIFER’S BODY are discussed before the conversation more or less gives way to a welcome discussion of how female sexuality is generally presented in horror films.

Rounding out the disc’s fully packed lineup of extras are almost 30 minutes of (usually thankfully) deleted scenes, a vintage promotional featurette, some mildly interesting auditions, set and FX footage, trailers, and separate audio commentaries with director John Fawcett (more technical) and screenwriter Karen Walton (more thematic) ported over from the previous release.

Shout Factory has been treating Canadian cult film fans to lovingly produced discs on locally-shot films like DEADLY EYES, SCANNERS II & III, VISITING HOURS and TERROR TRAIN, and this looks to be another essential addition that really looks at the GINGER SNAPS phenomenon and helps show it’s true place in the history of horror cinema, and werewolf films in particular. Now almost 15 years old, it’s certainly the perfect time for GINGER SNAPS to outgrow it’s awkward teen phase and become a self-confident Canadian horror landmark. And Scream Factory has certainly helped it do just that.

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My Canada Includes Vagrancy: COLOUR CORRECT MY COCK Review

ccmcVagrancy Films, Canada’s filthiest purveyors of cinematic crud have scoured their film vault for their newest release, COLOUR CORRECT MY COCK, a unique trailer compilation that represents one of their most to ambitious releases to date.  James Bialkowski and Jacob Windatt have assembled a wealth of weird trailers, crazy concession ads, snippets of vintage porn, PSAs and other bizarre bits that will delight B-movie fiends. But there’s an extra treat in there for  Canuxploitation fans too, as the Vagrancy guys have made this a truly Canadian release by sprinkling in  some excellent vintage material from the Great White North. It’s all been tossed together  into a (purposely) splicy, scratchy,yellowing presentation meant to replicate the grimy attraction of seeing these clips at a drive-in or hardtop fleapit for the first time.

Maple leaf-waving highlights of COLOUR CORRECT MY COCK include an advertisement for the CBC airing of the 1977 Canadian Film Awards, featuring OUTRAGEOUS!, WHY SHOOT THE TEACHER?, J.A. MARTIN PHOTGRAPHE and WHO HAS SEEN THE WIND that makes it look like most of our films are tedious Prairie dramas. There’s also a fun, lengthy ad/trailer by the National Film Board for its Children’s Film Festival, a feature-length program of shorts “for the whole family” that debuted in 1968 and features clips from TI-JEAN GOES LUMBERING, Norm McLaren’s CHRISTMAS CRACKER, PADDLE-TO-THE-SEA, THE STORY OF CINDERELLA, DIMENSIONS and THE BEAR AND THE MOUSE.

Other nostalgia-provoking Canadian clips include Famous Players gift certificate ads (offered in “gay envelopes”), a Saskatchewan-produced anti-drunk driving spot, and a pre-show Cineplex Odeon promo with “$2.50 Tuesdays” emblazoned above their logo. But perhaps most painfully dry is a 1981 spot from Statistics Canada encouraging people to complete their census forms. Do it today!

While there aren’t any Canadian trailers on the disc, there’s still plenty of fascinating finds for cult film buffs. Heavy on the sex film trailers (including some straight-up hardcore porn–you’ve been warned) and ads for Italian genre films, highlights of the disc include the infamous Swedish sex romp DAGMAR’S HOT PANTS INC (1971), a couple Corbucci classics (DEATH ON THE RUN (1967) and SONNY AND JED (1972)), and the virtually unheard of Italian mafia pic GODMOTHER II (1973). DESTROYER (1988) with a re-animated death row inmate played by Lyle Alzado looks like lots of fun and, as expected, there’s also a trailer for Connie Stevens-starring SCORCHY (1976), a perennial favourite usually screened at Vagrancy’s events.

All in all, COLOUR CORRECT MY COCK (whose odd title is explained in a brief prologue) is a great and greasy little package of B-movie madness that scored some extra points with us because of the cool Canadian content included. But even seasoned trailer disc fans will want to check out Vagrancy’s down ‘n’ dirty presentation and commitment to unseen oddities that puts this particular compilation in a class by itself.

Want a copy? Check it out on DVD and Blu-Ray at Diabolik.

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SEXCULA Lives!

You just can’t keep a good horny vampire down. Motion Picture Purgatory artist Rick Trembles has a comix review up for our recent Canadian classic ’70s porn discovery SEXCULA!